UNESCO lists Vietnamese folk music as world cultural heritage
The art of Don Ca Tai Tu’s music and songs in southern Viet Nam has officially become a recognised UNESCO Intangible Cultural Heritage of Humanity.
UNESCO announced the decision yesterday (Dec 5), during the on-going 8th Session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage in Baku, Azerbaijan.
Known as a musical art that has both scholarly and folk roots, Don Ca Tai Tu (amateur singing) developed in southern Viet Nam in the late 19th century.
People in the south consider it an indispensable spiritual cultural activity and a highly valued part of their cultural heritage, which is performed at numerous events, such as festivals, ‘death anniversary’ rituals, and celebratory social events. The audience can join in, by practicing, making comments or creating new words for songs.
The culture ministry’s Cultural Heritage Department, said the music genre had met with the criteria to be included on the Representative List of the Intangible Cultural Heritage of Humanity.
It has been transmitted from generation to generation through official and unofficial forms of education in all 21 provinces, where the art form is popular. Don Ca Tai Tu has continually been popularised through cultural exchanges among peoples, presenting their mutual harmony and respect.
The art form is played on a variety of different instruments, including the kim (moon-shaped lute), co (two-stringed fiddle), tranh (16-string zither), ty ba (pear-shaped lute), song lang (percussion), bau (monochord) and sao (bamboo flute), and the violin and guitar, which were adapted.
The musicians who contribute to Don Ca Tai Tu include master instrumentalists, master lyricists, master singers, instrumentalists, and singers.
According to The Thao&Van Hoa (Sports&Culture) newspaper, UNESCO hoped that with this honour, Viet Nam will continue implementing protection solutions to support local communities in the word of mouth transmission and official education syllabus. These activities should be carried out with the active participation of local people, experts, relevant organizations, as well as proper assistance from the State.
In a document sent to UNESCO, the Cultural Heritage Department reported that from 1997 to the present, the government has provided funds for the inventorying, collection and documentation of the music genre and supported Don Ca Tai Tu ensembles, clubs and families to organise the transmission of the art.
« During our survey tour, we listed 21 provinces in the south of Viet Nam that normally perform Don Ca Tai Tu. Among which, the Cuu Long (Mekong) Delta provinces of Long An and Bac Lieu reported the appearance of the music genre for hundreds of years, » said the director of Viet Nam Institute of Musicology, Dr. Le Van Toan, as the inventory was completed.
« It is an impromptu art performance to show off the creativeness and artistry of the performers. They use art to serve their daily lives, not to earn a livelihood. That’s why this music genre is much adored by the Southerners.
« To meet UNESCO’s criteria, we worked with artisans and Don Ca Tai Tu organisations to complete the localities possessing the music form. The inventory was completed with the scientific consultancy from leading experts, including Prof. Tran Van Khe, » Toan said.
With this honour, Viet Nam expects to increase respect for a valuable form of performance, encourage the community to recognise the value of cultural heritage, and to voluntarily take part in practising, developing, transmitting and safeguarding it. Further, it hopes to strengthen community cohesion and support the cultural identity of local people through musical exchanges.
By confirming its international cultural value, Viet Nam also expects to enhance international cultural co-operation and exchanges through transmission, dissemination, and education, as well as enhance the awareness and responsibilities of communities, local authorities and the State concerning the research, documentation, practice, transmission and study of cultural heritages.
Influenced by other forms of cultural heritage from the central and southern regions of Viet Nam, such as nhac le (ceremonial music) and hat boi (classical theatre and folk song), the music genre was added to the National List of Intangible Cultural Heritage in 2012.
Traditional Japanese Washoku cooking methods, millenia-old Georgian wine-making techniques and the Mediterranean diet were among 14 new entries added to UNESCO’s list of « intangible heritage » in need of being preserved.
Envoys picked the new listings at a meeting in the Azerbaijani capital Baku, UNESCO said in a statement late on Wednesday.
They include the traditional use of the abacus for counting in China and a Christian festival in the French region of Limousin that involves holy relics being paraded before worshippers once every seven years.
Other additions are Belgian horseback shrimp fishing; the annual pilgrimage to the mausoleum of Sidi Abd el-Qader Ben Mohammed in Algeria; Taureg Imzad music; Jamdani weaving in Bangladesh; the Cirio de Nazare religious festival in Brazil; Sankirtana music from the Vaishnava people in India; a central Italian Catholic procession; an Orthodox holiday in Ethiopia and a Kyrgyz epic poem.
A naming tradition common amongst the people of Western Uganda and Mongolian calligraphy also made the list earlier Wednesday.
Established in 2008, the Intangible Cultural Heritage list comprises some 100 traditional events from around the globe and is designed to « help demonstrate the diversity of this heritage and raise awareness about its importance, » according to UNESCO.